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Anita Desai\u27s Fasting, Feasting and the Condition of Women

机译:安妮塔·德赛(Anita Desai)的斋戒,盛宴和妇女状况

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摘要

In her article \u22Anita Desai\u27s Fasting, Feasting and the Condition of Women\u22 Ludmila Volná presents a critical culture-based reading of Desai\u27s novel Fasting, Feasting, a work that deals with the condition of women (not only) in India. Volná analyzes both female and the male sensitivities in the novel where Desai makes use of a double symbolic of food expressed throughout the novel by (not only literal) hunger. In Volná\u27s view, Desai\u27s Hindu imagery of sun/fire as patriarchal power and water, which, as the counterpart of the sun and fire, represents recognition of women’s condition and a possible way to liberation represent crucial aspects of the novel. Volná analyzes the metaphorical voyage towards progress of the Indian Hindu girl/woman Uma, the main character of the novel, with respect to sun/fire milestones, as well as those of water and as related to persons who accompany her. As Volná argues, Uma at the end achieves recognition of her condition although not full liberation. Further, a parallel pilgrimage of Arun, also through the countryside of sun, fire, and water, is analyzed through Arun\u27s recognition of the suffering of both American women/girls and of his sister Uma. Volná concludes that it is only through the synthesis of both female and male recognition and effort can women be released from the oppressive conditions of patriarchy.
机译:安妮塔·德赛(Anita Desai)的《禁食,盛宴和妇女状况》中,路德米拉·沃尔纳(LudmilaVolná)提出了基于文化的批判性解读,内容是德赛的小说《禁食,宴餐》。印度。 Volná分析了小说中的女性和男性敏感性,其中Desai使用了整个小说中通过饥饿(不仅是字面意义)表达的食物的双重象征。在伏尔纳的视野中,德赛的日/火作为父权制的权力和水的印度教意象,作为太阳和火的对立体,代表着对女性状况的承认,也是解放小说的重要方面。伏尔纳(Volná)分析了小说的主要人物印度印度女孩/女孩乌玛(Uma)的进步历程,涉及到太阳/火的里程碑,水的里程碑以及与之伴随的人的里程碑。正如Volná所言,乌玛虽然没有完全解放,但最终获得了对她状况的认可。此外,通过阿伦对美国妇女/女童及其姐姐乌玛的痛苦的承认,还分析了阿伦在阳光,火和水的乡村中的一次平行朝圣。伏尔纳得出的结论是,只有通过男女共同认可和努力,才能使妇女摆脱父权制的压迫。

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    Volná, Ludmila;

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